Amanda Wasielewski

• Medarbetarportalen vid Uppsala universitet (kräver inloggning)

Publications

Monographs

• Computational Formalism: Art History and Machine Learning. Cambridge, MA: MIT Press, 2023.
• From City Space to Cyberspace: Art, Squatting, and Internet Culture in the Netherlands. Amsterdam: Amsterdam University Press, 2021.
• Made in Brooklyn: Artists, Hipsters, Makers, Gentrifiers. Arlesford, Hampshire: Zero Books, 2018.

Edited Books

• Critical Digital Art History. Bristol: Intellect Press. [forthcoming 2024] [eds: Amanda Wasielewski, Anna Näslund Dahlgren]

Book Chapters

• “Introduction.” In Critical Digital Art History. Bristol: Intellect Press. [forthcoming] [eds/authors: Amanda Wasielewski, Anna Näslund Dahlgren] [forthcoming 2024]
• “Art Datasets and the Reification of Style in Machine Learning.” In Critical Digital Art History. Bristol: Intellect Press. [forthcoming 2024]
• “The Growing Pains of Digital Art History: Issues for the study of art using computational methods.” In Digital Human Sciences: New Objects – New Approaches, edited by Sonya Petersson, 127-151. Stockholm: Stockholm University Press, 2021.
• “Mining Art History: Bulk Converting Non-Standard PDFs to Text to Determine the Frequency of Citations and Key Terms in Humanities Articles.” In Digital Human Sciences: New Objects – New Approaches, edited by Sonya Petersson, 285-305. Stockholm: Stockholm University Press, 2021. [authors: Amanda Wasielewski, Anna Dahlgren]
• “‘We Have Decided Not To Decide’: The End of History and the Punk Politics of De Reagering.” In Aftermath: the Fall and Rise After the Event, edited by Robert Kusek, Beata Piątek, and Wojciech Szymański, 177-192. Krakow: Jagiellonian University Press, 2019.
• “PKP-TV: Pirate Utopias.” In Maarten Ploeg: Ploeg + Werk, 1958-2004. Amsterdam: Maarten Ploeg Trust, 2018.

Edited Journal Issue

• “The Politics of Metadata.” Special Issue, Digital Culture & Society 6, no. 2 (2020). [editors: Anna Dahlgren, Karin Hansson, Ramón Reichart, Amanda Wasielewski]

Academic Journal Articles

• “Authenticity and the Poor Image in the Age of Deep Learning.” photographies. [forthcoming]
• “The Museum in Quarantine: Architecture, Experience, and the Virtual Museum Tour.” Journal of Curatorial Studies 11, no. 1 (April 2022): 4-24.
• “Interfaces of Art: Meyer Schapiro, Fernand Léger, and the Role of the Art Historian in Anachronistic Artistic Influence.” Journal of Art Historiography, no. 26 (June 2022). https://arthistoriography.files.wordpress.com/2022/05/wasielewski.pdf.
• “The Digital U-Turn in Art History.” Konsthistorisk Tidskrift/Journal of Art History 90, no. 4 (October 2, 2021): 249–66. https://doi.org/10.1080/00233609.2021.2006774. [authors: Anna Näslund Dahlgren, Amanda Wasielewski]
• “Cultures of Digitization: A Historiographic Perspective on Digital Art History.” Visual Resources (September 30, 2021): 1–21. https://doi.org/10.1080/01973762.2021.1928864. [authors: Anna Näslund Dahlgren, Amanda Wasielewski.]
• “Introduction: The Politics of Metadata.” Digital Culture & Society 6, no. 2 (2020): 7-17. [authors: Anna Dahlgren, Karin Hansson, Ramón Reichert and Amanda Wasielewski]
• “From Rogue Sign to Squatter Symbol.” City 23, no. 2 (March 4, 2019): 256–67.
• “Books Were Opened: The Apocalypse of Margaret of York (Ms. M.484) and Spiritual Empowerment of the Laity in the Fifteenth Century.” Peregrinations: Journal of Medieval Art and Architecture 5, no. 4 (Autumn 2016): 76-110.
• “Lurking Within Reach: Stereoscopic Photomicrography in the 1860s.” History of Photography 39, no. 1 (January 2, 2015): 56–70.
• “Grains of Gold in All This Shit: Web 2.0, Crowdsourcing and Participatory Art.” Hz Journal, no. 16 (March, 2011). http://www.hz-journal.org/n16/wasielewski.html.