Christine Dysers
Forskare vid Institutionen för musikvetenskap
- E-post:
- christine.dysers@musik.uu.se
- Besöksadress:
- Engelska parken, Thunbergsvägen 3H
- Postadress:
- Box 633
751 26 UPPSALA
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Kort presentation
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I am a postdoctoral researcher at the Department of Musicology. My current research project is funded by Vetenskapsrådet and focuses on the development of an aesthetic theory of repetition in contemporary music.
Nyckelord
- contemporary music
- music aesthetics
- music and politics
- music and society
- music philosophy
- musicology
- repetition
Biografi
Denna text finns inte på svenska, därför visas den engelska versionen.
Dr Christine Dysers is a postdoctoral researcher in the Department of Musicology at Uppsala University. In her current research project, which is funded by Vetenskapsrådet, she investigates the aesthetics of repetition in contemporary music. Christine’s research is broadly concerned with 20th- and 21st-century music, with a particular focus on contemporary composition and repetitive aesthetics. Her research interests include music and the political, musical borrowing, and the notion of the uncanny. Methodologically, her work occupies the spaces between musicology and philosophy.
Christine holds a PhD in Music from City, University of London. In 2021, she was appointed as a Fulbright Visiting Scholar in the Department of Music at Columbia University. She holds a PGCert in Academic Practice and is a Fellow of the Higher Education Academy (HEA). Her first monograph, on repetition in the work of Austrian composer Bernhard Lang, is currently under contract with Intellect Books.
Publikationer
Senaste publikationer
- Bernhard Lang (2023)
- Wandering Loops and Drifting Repetition (2022)
- Re-Writing History: Bernhard Lang's Monadologie series (2007–present) (2015)
- Exposing Demagoguery (2015)
- Mozart als Gegenstand postmoderner Kritik (2014)
Alla publikationer
Artiklar
- Wandering Loops and Drifting Repetition (2022)
- Re-Writing History: Bernhard Lang's Monadologie series (2007–present) (2015)
- Mozart als Gegenstand postmoderner Kritik (2014)
- Parodistic subversion in Mauricio Kagel's "Zehn Märsche, um den Sieg zu verfehlen" (1979) (2013)