Mikhail Lopatin

Forskare vid Institutionen för musikvetenskap

018-471 6820
Engelska parken, Thunbergsvägen 3H
Box 633
751 26 UPPSALA

Kort presentation

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My main research area is Italian Trecento-early Quattrocento music, with particular foci on the issues of musico-textual relationships, metapoesis, music theory and practice, and senses/intersensoriality. I have published several articles on these and related topics in such leading international journals as "Early music", "Music & Letters", "Music analysis", and "Studi musicali", and am currently working on a book.

Outside my scholarly life, I run a blog on figure skating and choreography.

Nyckelord: musicology music history medieval literature music theory renaissance

Detta stycke finns inte på svenska, därför visas den engelska versionen.

I received my PhD in Musicology in 2011 from the Moscow P.I. Tchaikovsky Conservatory, Russia. I spent the next year (2011-12) at the Schola Cantorum Basiliensis (Basel, Switzerland), working on a project that focused on canons and canonic techniques in the trecento music. In 2014, I was appointed a short-tern fellow at the Villa I Tatti (The Harvard University Center for Italian Renaissance Studies in Florence, Italy). From October 2015 to September 2017, I worked at the University of Oxford as a Newton International Fellow, looking at the musico-textual relationships and metapoesis in the Italian repertoire of trecento and early quattrocento. I was able to pursue this line of research further in 2018-2020 (as a Humboldt research fellow at the University of Würzburg) and 2020-21 (again at I Tatti, this time as a full fellow). From August 2021, I work as a researcher at the Uppsala University, on a project that focuses on senses and intersensoriality in the late medieval song.

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Mikhail Lopatin
Senast uppdaterad: 2021-03-09